Stefania Batoeva
Karolin Braegger
Julia Znoj
MIART Emergent
11.-14.04.202
Julia Znoj, The Role of Metals, metal, wire, 30 x 26 x 32 cm, 2024
Stefania Batoeva, Renegade Queen II, oil on canvas, 170 x 200 cm, 2017
Stefania Batoeva, Unititled, pencil on paper, framed, 21 x 29,7 cm, 2024
Stefania Batoeva, NYC, oil and acylic on canvas, 92 x 120 cm, 2024
Julia Znoj, Untitled, metal, paint, 70 x 40 x 40 cm, 2019
Karolin Braegger, Play Dead, Acrylic on mannequins and glass stands, video mapping of an excerpt from theatre play Play Dead, 2023-2024 onto t-shirts (4.20 min loop), ACT IV, dialogue between Fashion (left) and Death (right), dimensions variable
Stefania Batoeva, Unititled, pencil on paper, framed, 21 x 29,7 cm, 2024
Stefania Batoeva, Unititled, pencil on paper, framed, 21 x 29,7 cm, 2024
Stefania Batoeva, Devoted Iota Elusion, oil on canvas, 170 x 200 cm, 2017
Julia Znoj, Uninteded Dosages, Unknown Supplier (Hair Will Grow), metal, 200 x 40 x 40 cm, 2019
Julia Znoj, Mermaid, silicone, 20 x 8 x 3 cm
Stefania Batoeva, Unititled, pencil on paper, framed, 21 x 29,7 cm, 2024
Stefania Batoeva, Three Princes, 200 x 170 cm, 2017
For this years Booth City decided to pair Stefania Batoevas paintings, Julia Znojs sculptures
and Karolin Braeggers installation.
The claim is that neo-neo expressionism must be mated with language. We might be high strung and feel a lot but we know how make ourselves understood.
The claim is that neo-neo expressionism must be mated with language. We might be high strung and feel a lot but we know how make ourselves understood.